This Week’s Theme: Most Wonderful Time Of The Year
The four-part holiday-themed Faux Show series wraps up with a selection of traditional holiday songs. This mix of carols, hymns, and standards presents what most people consider the music of the holidays. As always, the songs span across different genres and decades. If you are keeping track, this final show completes a four-part series that presented a total of 149 holiday tracks by 149 different artists. No artists were repeated and, except for the “Jingle Bells” show, no songs were repeated. You’re welcome.
I’m not going to go into detail on the artists and songs in this week’s show. Instead, I have provided a selection of holiday themed stuff that you may find interesting. Have a wonderful holiday season!

Welcome to Radio Faux Show number forty-two.
First things first – click a link to start listening and then come back to read about this week’s songs.
Holiday Movies
Ms. Faux and I watch Hallmark movies during November and December. Daily. We also watch a slew of holiday films from throughout the decades. We watch plenty of new ones we don’t know, but we mostly watch the tried and true. And, yes, Die Hard is a Christmas movie.
A Variety of Music Clips
Let’s Have a Chat About “Baby, It’s Cold Outside”
Over the last few years, the song “Baby, It’s Cold Outside” has become a hotbed of conflict. The major issue is that some feel it is more or less the “Christmas date-rape song” because they view it as a story of a man trying to get a woman drunk in order to make her stay at his house instead of leaving. On the surface, I can see this interpretation holding some merit, and over the years I have gone back and forth on my view of the song. However, as with everything else in life, context is key. If you are going to hold an opinion on this song, or anything else in the world, you need to have your information straight and place your understanding in the context of the issue at hand. That is what mature adults are supposed to do, although we appear to be moving toward a world in which, by that definition, there aren’t many mature adults left. So, in the spirit of understanding and context, here is the deal with the song. It is NOT a song about a man taking advantage of a woman.
The main argument against the song is that the man is forcefully attempting to make the woman stay in order to sexually assault her. Lyrics such as “I’ll put some records on while I pour,” “It’s bad out there, no cabs to be had out there,” and “Mind if I move in closer? What’s the sense of hurting my pride?…Think of my life-long sorrow,” if taken at face value, appear to imply that the man is trying to get the woman drunk in order to take advantage of her. He is using alcohol to lower her defenses, exaggerated weather conditions to keep her from leaving, and guilt to coerce her into a sexual encounter. In the wake of the Cosby trial, this interpretation exploded into the mainstream and the song was banned by some radio stations. The problem with this interpretation is that it is not accurate within the context of the time the song was written nor the meaning of the lyrics.
When written in 1944, it is important to note that women were not permitted to spend the night with a boyfriend. That does not mean that the relationships between men and women were different in 1944. It just means that women had to deal with the supposedly acceptable norms forced upon them by society at the time. If a woman wanted to spend the night with a man, she couldn’t do so without creating a valid pretense. The entire alcohol subtext must be understood in the context of the language of the time and the setup of the story leading up to the mention of wine. The woman has had a nice evening and knows that her family is waiting for her at home because it is not acceptable for her to stay out. But she brings up the idea of having another drink. She then uses a common expression of the time, “Say, what’s in this drink?,” in order to displace herself from being responsible if she stays longer. This was a common excuse of the time, used to cover up any matter of social indiscretion created by the conservative expectations of society. Taken as a whole, this is a conversation between two consenting adults who are attempting to have a mature relationship during a time when women were not allowed to do so.
An SNL Christmas
No one does holiday music like SNL.
Alternative Holidays
There is more to the holiday season then Christmas, and I’m not talking about Hanukkah and Kwanzaa.
Christmas Music and War
War during Christmas time is unavoidable, but sometimes this collision of destruction and peace rises above the day-to-day horrors of war.
I Heard The Bells On Christmas Day
Although it isn’t as well-known as other 20th century holiday songs, “I Heard The Bells On Christmas Day” is one of the most moving Christmas songs ever written. The most well-known version was composed by Johnny Marks in 1956 and recorded by Bing Crosby. The origin of the song, however, dates back to 1863, in the middle of The American Civil War. Two years after the death of his beloved wife in 1861, a fifty-six year old Henry Wadsworth Longfellow wrote the poem “Christmas Bells” as a reaction to his son joining the Union Army to fight in the war even though Longfellow did not believe he should do so. In November of 1863 his son was injured in battle. Although he survived, this was all too much for Longfellow to take without reacting in the best way he knew how. On Christmas Day, 1863, he wrote the poem which led to the modern version of the song sung now.
The modern version only incorporates verses one, two, six, and seven. Although the overall message of peace on earth is not lost in this reworking, there is a giant leap in context when the middle verses are removed. This was obviously done by Marks to remove the literal connections to the South in the war, but seventy years later one would like to think that the complete context can be appreciated by an intelligent public.
I heard the bells on Christmas Day
Their old, familiar carols play,
and wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
“There is no peace on earth,” I said;
“For hate is strong,
And mocks the song
Of peace on earth, good-will to men!”
Then pealed the bells more loud and deep:
“God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men.”
The Christmas Truce of 1914
In addition to my obsession with music, I am a World War I buff. One of my favorite WWI stories is The Christmas Truce of 1914. If you aren’t up on your WWI history, this is about four months after the start of a war that was already one of the most deadly and horrifying wars in history, and was only going to get more deadly and horrifying over the course of the next four years. The original belief was that the war would be over in months, but on Christmas Eve 1914 the war was nowhere near an end. In this context, it may make sense that on that day, all along the Western Front trenches, there was a pause in the killing when the British soldiers began to hear singing coming from the German trenches on the other side of “no-man’s land.” This led to German soldier’s telling British soldiers to come across to them – a request that seemed fraught with peril after months of killing of anyone who dared poke his head out of his trench – and the English replied that they would if the German’s would meet half way. What ensued is impossible to imagine, especially to anyone who understands the amount of death inflicted during the war. For the rest of that day, and sometimes even longer, British and German soldiers laid down their guns, met, exchanged gifts, and even took part in makeshift football (soccer) matches.
This is a beautiful story, but it has always been most impactful to me because, according to legend, the first of these truces occurred when a German officer named Walter Kirchhoff (a tenor with the Berlin Opera) sang “Silent Night” in German and then in English. As his voice carried across “no-man’s land,” the joy of the holiday was more powerful than the fear of the soldiers, and the fighting, although only briefly, was stopped. The singing of this one man turned into singing by entire lines of soldiers on both sides, one of the greatest examples of the healing power of music in history.
This may sound like a nice allegory – a quaint story of how “music can tame the wild beast” – but it is all true. There are photos you can easily find, and there are thousands of letters written home to parents, wives, and loved ones that explain the impact of this night on the soldiers and their revelation that the enemy aren’t any different than themselves.
Thanks for listening (and reading)!
Track List
Track | Artist | Song Title |
1 | Little Jimmy Thomas | Deck The Halls |
2 | The Drifters | White Christmas |
3 | The Temptations | Rudolph The Red-Nosed Reindeer |
4 | Jimmy Smith | We Three Kings |
5 | Ray Charles and Betty Carter | Baby It’s Cold Outside |
6 | Steve Lawrence and Eydie Gorme | Winter Wonderland |
7 | Les Brown & His Band of Renown | The Nutcracker Suite |
8 | Mel Torme | The Christmas Song |
9 | Michael Feinstein | Have Yourself A Merry Little Christmas |
10 | Oscar Peterson | God Rest Ye Merry, Gentlemen |
11 | Lena Horne | Let It Snow! Let It Snow! Let It Snow! |
12 | The Swingle Singers | Medley: El Noi De La Mare/Hanej Nynej Jezisku/Canzone Dei Zampognari |
13 | The King’s Singers | Es ist ein Ros’ entsprungen |
14 | The Ventures | Silver Bells |
15 | The Ronettes | Sleigh Ride |
16 | Bruce Springsteen | Santa Claus Is Coming To Town |
17 | Jimmy Durante | Frosty the Snowman |
18 | Take 6 | I Saw Three Ships |
19 | Daryl Hall and John Oates | It Came Upon A Midnight Clear |
20 | Annie Lennox | Lullay Lullay (Coventry Carol) |
21 | Jacob Collier | In The Bleak Midwinter |
22 | Cambridge Singers | Ding dong! merrily on high |
23 | The Singers Unlimited | Bright, Bright the Holly Berries |
24 | John Denver & The Muppets | Twelve Days Of Christmas |
25 | Burl Ives | A Holly Jolly Christmas |
26 | Los Lobos | Arbolito de Navidad |
27 | John Fahey | Joy To The World |
28 | Willie Nelson | Blue Christmas |
29 | Ralph Stanley | Children, Go Where I Send Thee |
30 | Sister Rosetta Tharpe | O Little Town Of Bethlehem |
31 | George Winston | The Holly and The Ivy |
32 | Ill Considered | Good King Wenceslas |
33 | Shawn Lee’s Ping Pong Orchestra | Do You Hear What I Hear |
34 | Can | Silent Night |
35 | Chet Baker (Amazon)/Leslie Odom, Jr. (Spotify) | The First Noel |
36 | Andrew Bird | Auld Lang Syne |
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